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LP jacket hand-made from 100% recycled thick 25pt. chipboard with white screenprinted lettering and custom window die-cut. 2 slabs of 180gram vinyl in inner sleeves printed on uncoated heavyweight paper. Includes additional artwork/credit insert and digital download coupon.
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Compact Disc (CD) + Digital Album
CD gatefold jacket made from 100lb. textured uncoated cardstock with foil-embossed text and window cut. Three different two-sided duotone insert cards can be interchanged to show through the front cover window cut. A fourth insert card contains credit info.
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Do Make Say Think self-released this debut album in Toronto in 1997, and we heard it the following spring. The band’s infectious spacerock-cum-swing approach to sweeping instrumentals, and their brilliant realisation of the potentials of 8-track recording, hooked us instantly. Rhythm syncopation, reverb-soaked guitar, the occasional horn, and some of the finest saturated synth tones we’ve ever heard – this record conjures up rainy streets and wet cigarettes with the best of them. A classic modern lounge album that also shreds, with widescreen breakbeat blissouts driven by punk-rock guitars. An exuberant debut, containing all the building blocks DMST has been transforming into sublime music architectures ever since.
credits
released March 8, 1999
BAND PERSONNEL
Ohad Benchetrit: guitar, bass, saxophone, flute
Jason McKenzie: keyboards, effects
Dave Mitchell: drums
James Payment: drums
Justin Small: guitar
Charles Spearin: bass, guitar, trumpet
Recorded and mixed at CIUT Radio in Toronto by Do Make Say Think, July 1997. TRACKS 2, 6, 8 recorded at some school for the arts by Charles, Ohad, Peter, JR and Adam, September 1996.
supported by 24 fans who also own “Do Make Say Think”
After being a bit underwhelmed by LYSFLATH! and God's Pee, my expectations were low going in on this record, which probably really helped my enjoyement! While the other 2 records were also pretty good, I was just let down by the expectations that other people have built especially around the first one. But Luciferian Towers is so powerful and uplifting, really diverse in its rhythms and instrumentation. Also much more melody and a more sensible amount of repetition than on the other 2 records minisculebarber
A bonafide New Jersey garage rock ripper from Francie Moon plunges fearlessly into the murky depths of psychedelia and blues. Bandcamp New & Notable Jul 14, 2022
Grim motor-psycho music that goes from growling Steppenwolf jams to delightfully strange jazz/krautrock diversions. Bandcamp New & Notable Aug 24, 2020
While a dire fantasia—a nightmare future Earth where only Antarctica remains habitable—looms over these eight instrumentals, Talibam!’s impulse is to throw a spiked Slurpee party at the end of the world. Bandcamp Album of the Day Oct 4, 2017